ROOTLINES
ORGANIC ECHOS
These are my micro-lines pulsing like the inner rhythm of plants.
My ink mists echoing through every layer.
My patterns repeating like nature’s quiet signals.
It’s the moment when a stain speaks to a line,
the line to the mist,
and the mist back to the structure.
It is the echo of life...
Repeating itself across every medium I touch.
Concept
ROOTLINES is an evolving body of work exploring organic structures, layers, and rhythms found both in the natural world and within the inner, psychological landscape.
The project grows from three core notions that form the foundation of the artist’s practice:
ROOTS – structure, memory, grounding, the geology of emotion, everything that lies beneath;
FLOW – impulse, movement, process, energy, spontaneity, sensory current;
MIST – aura, subtlety, half-tone, fog, dream-state, ink diffusion.
These three concepts weave together physical techniques of printmaking and drawing with an introspective observation of nature.
Each work develops through layered growth: from ink stains and fluid washes, through veils of softened light, to precise lines and structures reminiscent of nerves, fibres, roots, or landscape formations.
The project is an open exploration of how body, emotion, and matter meet within a single organic movement.
Artist Statement
My work grows from an intimate dialogue with organic structures — the roots, fibres, rhythms and subtle movements that shape both the natural world and the inner emotional landscape. I am drawn to the places where matter meets memory, where a line behaves like a pulse, and where a stain becomes a trace of something felt rather than seen.
The ongoing series ROOTLINED reflects three essential forces within my practice.
Roots are the structures beneath the surface — the geology of emotion, the patterns that anchor and repeat.
Flow is the impulse: movement, process, spontaneity and the sensory current of making.
Mist is the atmosphere in-between: the soft edges, the dreamlike diffusion of ink, the moment before form becomes clear.
I work in layers — stains, washes, veils of white, carved marks, etched lines, drawn micro-patterns. Each layer is a negotiation between control and surrender, intention and accident. The resulting forms echo natural growth: branching, weaving, dispersing, gathering.
Through drawing, printmaking and mixed media, I explore what happens when the body’s rhythms, emotional residues and natural structures overlap. My practice is a process of tracing these intersections — not to define them, but to feel them.
In this sense, the work is less about representation and more about sensing, remembering, and letting the organic world speak in its own language.